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The origins of the academy were in a coterie of literary men who met informally in Paris in the early 1630s to discuss rhetoric and criticism. Recognized by Cardinal Richelieu, the academy received the royal letters patent in 1635 (registered by the Parlement of Paris in 1637). Its aims included chiefly the governance of French literary effort, grammar, orthography, and rhetoric. The membership was soon fixed at 40 (called often, because of their former motto, "the forty immortals") and was established as self-perpetuating, with a veto of elections reserved to the official protecteur (or patron), later to the state. The first notable act of the society was the criticism of the Cid of Pierre Corneille.
After Richelieu's death (1642) the patronate went (1643) to Pierre SEguier, the chancellor; on his death (1672), King Louis XIV assumed the position of protecteur, which remained ever after a prerogative of the head of the French state. The suppression of the academies in 1793 ended the French Academy; it reappeared in the second class of Napoleon's Institut (1803), and the old name and organization were "restored" in the first division of the Institut of 1816.
The academy has often been accused of literary conservatism, owing to the failure of certain writers to attain membership; the most prominent of these are perhaps MoliEre, Marquis de La Rochefoucauld, Duc de Saint-Simon, Jean Jacques Rousseau, HonorE de Balzac, Gustave Flaubert, Stendhal, Emile Zola, and Marcel Proust. But not all omissions from the academy roster are attributable to literary criteria, for personal respectability and loyalty to the existing state have always been conditions of membership. The membership of the academy has traditionally included eminent Frenchmen outside the field of literature; some of its members come from France's senior clergy to mark the role of Roman Catholicism in French culture. Today the academy's membership includes women and people of other nationalities who write in French.
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