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You are here : AllRefer.com > Reference > Encyclopedia > English Literature To 1499 > Middle English literature
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Middle English literature, English Literature To 1499

Related Category: English Literature To 1499

Middle English prose of the 13th cent. continued in the tradition of Anglo-Saxon prose : homiletic, didactic, and directed toward ordinary people rather than polite society. The "Katherine Group" (c.1200), comprising three saints' lives, is typical. The Ancren Riwle (c.1200) is a manual for prospective anchoresses; it was very popular, and it greatly influenced the prose of the 13th and 14th cent. The fact that there was no French prose tradition was very important to the preservation of the English prose tradition.

In the 13th cent. the romance, an important continental narrative verse form, was introduced in England. It drew from three rich sources of character and adventure: the legends of Charlemagne, the legends of ancient Greece and Rome, and the British legends of King Arthur and the Knights of the Round Table. Layamon's Brut, a late 13th-century metrical romance (a translation from the French), marks the first appearance of Arthurian matter in English (see Arthurian legend). Original English romances based upon indigenous material include King Horn and Havelok the Dane, both 13th-century works that retain elements of the Anglo-Saxon heroic tradition.

However, French romances, notably the Arthurian romances of ChrEtien de Troyes, were far more influential than their English counterparts. In England French romances popularized ideas of adventure and heroism quite contrary to those of Anglo-Saxon heroic literature and were representative of wholly different values and tastes. Ideals of courtly love, together with its elaborate manners and rituals, replaced those of the heroic code; adventure and feats of courage were pursued for the sake of the knight's lady rather than for the sake of the hero's honor or the glory of his tribal king.

Continental verse forms based on metrics and rhyme replaced the Anglo-Saxon alliterative line in Middle English poetry (with the important exception of the 14th-century alliterative revival). Many French literary forms also became popular, among them the fabliau; the exemplum, or moral tale; the animal fable; and the dream vision. The continental allegorical tradition, which derived from classical literature, is exemplified by the Roman de la Rose, which had a strong impact on English literature.

Medieval works of literature often center on a popular rhetorical figure, such as the ubi sunt, which remarks on the inevitability : and sadness : of change, loss, and death; and the cursor mundi, which harps on the vanity of human grandeur. A 15,000-line 13th-century English poem, the Cursor Mundi, retells human history (i.e., the medieval version : biblical plus classical story) from the point of view its title implies.

A number of 13th-century secular and religious Middle English lyrics are extant, including the exuberant Sumer Is Icumen In, but like Middle English literature in general, the lyric reached its fullest flower during the second half of the 14th cent. Lyrics continued popular in the 15th cent., from which time the ballad also dates.



The Columbia Electronic Encyclopedia Copyright © 2009, Columbia University Press.
Licensed from Columbia University Press. All rights reserved.



Topics that might be of interest to you:

alliteration
Ancren Riwle
Anglo-Saxon literature
Arthurian legend
ballad
Alexander Barclay
Brut
William Caxton
Geoffrey Chaucer
chivalry
ChrEtien de Troyes
courtly love
Gawin Douglas
William Dunbar, Scottish poet
English language
English literature
Everyman
fabliau
John Gower
Havelok the Dane
Stephen Hawes
Robert Henryson
Thomas Hoccleve
King Horn
William Langland
Layamon
John Lydgate
lyric
Sir Thomas Malory
Middle Ages
miracle play
morality play
Old Norse literature
Orrmulum
Owl and the Nightingale, The
Pearl, The
romance
Roman de la Rose, Le
John Skelton
Sumer Is Icumen In

Related Categories:

Literature and the Arts > Literature in English


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