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Alain Robbe-Grillet[AlaN´ rOb-grEyA´] Pronunciation Key, 1922–, French novelist and filmmaker, b. Brest. Robbe-Grillet is considered the originator of the French nouveau roman [new novel], in which story is subordinated to structure and the significance of objects is stressed above that of human motivation or action. His first novel, Les Gommes (tr. The Erasers, 1964), was published in 1953. Among his many other novels, many of them marked by violence, are The Voyeur (1955, tr. 1958), Jealousy (1957, tr. 1960), In the Labyrinth (1959, tr. 1960), Snapshots (1962, tr. 1968), La Maison de Rendez-vous (1965, tr. 1966), Topology of a Phantom City (1976, tr. 1977), Djinn (1981, tr. 1982), The Last Days of Corinth (1994), and Repetition (2003). Robbe-Grillet's film works include the screenplays for Alain Resnais's Last Year at Marienbad (1960), and for L'Immortelle (1962), Trans-Europe Express (1966), The Beautiful Prisoner (1983), and The Blue Villa (1996), which he also directed.
See his memoir Ghosts in the Mirror (1984, tr. 1991) and his essay collection For a New Novel (1963, tr. 1966); studies by B. Morrissette (1965), J. Fletcher (1983), and B. F. Stoltzfus (1985); R. Armes, The Films of Alain Robbe-Grillet (1981); R. L. Ramsay, Robbe-Grillet and Modernity (1992); L. D. Roland, Women in Robbe-Grillet (1994); M. H. Hellerstein, Inventing the Real World: The Art of Alain Robbe-Grillet (1998); R. C. Smith, Understanding Robbe-Grillet (2000).
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