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Tragedy can also be a vision of life, one shared by most Western cultures and having its roots in the Judeo-Christian tradition. To reflect this wider sense of the human dilemma, where men feel compelled to confront evil, yet where evil prevails, a second dramatic tradition evolved. Its roots go back once again to religious drama, in this case the mystery and morality plays of medieval England, France, and Germany (see miracle play; morality play). Unlike classical drama, these plays, of which Everyman is the best known, emphasize the accountability of ordinary people. Even plays about the divine Christ stress human suffering and sacrifice.
The tragic lot of the common man and woman thus found its way into the dramatic repertory of later ages. George Lillo's London Merchant (1731) is an early example of domestic tragedy, as Georg BUchner's Danton's Death (1835) is of political tragedy. Henrik Ibsen's Doll's House (1879) and An Enemy of the People (1882) are also superb examples of the domestic and the political tragedy, respectively.
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