Japan Chapter 3. Education and the Arts
Family crest using plum blossoms (ume), a
sign of beauty and imperviousness to late winter weather
JAPANESE CULTURAL VALUES are deeply imbedded in the
country's
richly varied, ancient past. Rooted in the native religion
of
Shinto (Way of the Gods), these values are also heavily
indebted to
the continental influences of Buddhism and Confucianism.
In Shinto,
gods permeate the universe and are perceived as embodied
in
specific places, such as sacred Mount Fuji and the Nachi
Falls, or
as tutelary spirits of rocks and trees. Therefore, a
reverence for
nature and admiration for particular scenic places are
pervasive in
Japanese art, echoed in literary descriptions and
expressed in
architectural concepts that remove walls to allow the
outside in
and in avant-garde smoke sculptures, which recreate mists.
Shinto
concepts of ritual cleanliness, purification, and renewal
have
played a role in preserving the forms of ancient shrines
like that
at Ise and have nurtured handicrafts. They also have
shaped some
funereal practices, for example, the clay sculptures or
haniwa in the Kofun period (ca. A.D. 250-CA. 600),
which
provided the first real likeness of the ancient Japanese.
Buddhist thought was fundamental to the formulation of
most of
Japan's arts, blending and absorbing elements from the
protohistoric Shinto. Basic to Buddhist thought is the
comprehension of the universe as in constant flux, which
results in
emphasis on the idea that all living things perish or are
transformed in the chain of existence. From this view
comes a
feeling for "the poignancy of things" (mono no
aware), a
frequent element in literature beginning in the Heian
period (A.D.
794-1185). Cherry blossoms are appreciated for their
short-lived
beauty, which symbolizes the samurai ideal of a brilliant
life with
a sudden, dramatic end. Zen Buddhism affirms the values of
rustic
simplicity and finding pleasure in the ordinary or
minimal; it
stresses austerity, simplicity, and brevity in all things
and a
life of solitude and contemplation, ideas that, together
with Zen
teaching devices, found expression in the tea ceremony,
short
poems, spontaneous ink paintings, and meditation gardens.
Chinese artistic forms and philosophical concepts have
been
variously integrated and modified over the centuries by
the
Japanese. Confucianism glorifies the cultivation of
wisdom: the
scholarly life is its ideal, as are the virtues of ethical
behavior, sincerity, and a desire for social harmony. All
these
elements were embodied in the gentleman-scholar and his
successors,
the teacher-scholar and the artist-writer, whose
proficiency in
language and use of the brush made literature and
calligraphy the
most admired art forms.
Japanese children are taught a reverence for learning
and are
trained in the traditional arts both within the school
system and
outside. Instruction in music, calligraphy, flower
arrangement, and
the tea ritual may begin at home, but soon the child
studies with
a skilled practitioner. Only the martial arts, such as
judo or
Japanese fencing (kendo), are generally limited to
men. Men
often practice the other arts as well. Such early
introduction to,
and widespread participation in, different expressions of
Japanese
heritage lead to support for traditional cultural values
and the
appreciation throughout society of artistic qualities.
Data as of January 1994
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