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In the visual arts romanticism is used to refer loosely to a trend that appears at any time, and specifically to the art of the early 19th cent. Nineteenth-century romanticism was characterized by the avoidance of classical forms and rules, emphasis on the emotional and spiritual, representation of the unattainable ideal, nostalgia for the grace of past ages, and a predilection for exotic themes.
Romantic artists developed precise techniques in order to produce specific associations in the mind of the viewer. To convey verbal concepts they would, for example, endow inanimate objects with human values (e.g., the wild trees and shimmery moonlight used in the paintings of Caspar David Friedrich to suggest an infinity of human longing, the weltschmerz of his time). The result was often sentimental or ludicrous. In the case of Delacroix, however, his painterly style and color sense exalted the romantic attitude in a singularly effective fashion.
In England landscape gardening was used to express the romantic aesthetic by means of deliberate imitation of the picturesque in nature. In architecture Wyatt's preposterous, mock medieval Fonthill Abbey displayed the romantic building style in extreme form. The host of lesser artists of the romantic tradition included the French GEricault, the Swiss-English Henry Fuseli, the Swiss Arnold BOcklin, the English Pre-Raphaelites, the German Nazarenes, and the American artists of the Hudson River school.
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