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You are here : AllRefer.com > Reference > Encyclopedia > European Art, 1600 To The Present > surrealism
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surrealism, European Art, 1600 To The Present

Related Category: European Art, 1600 To The Present

surrealism[surE´ulizum] Pronunciation Key, literary and art movement influenced by Freudianism and dedicated to the expression of imagination as revealed in dreams, free of the conscious control of reason and free of convention. The movement was founded (1924) in Paris by AndrE Breton, with his Manifeste du surrEalisme, but its ancestry is traced to the French poets Baudelaire, Rimbaud, Apollinaire, and to the Italian painter, Giorgio de Chirico. Many of its adherents had belonged to the Dada movement. In literature, surrealism was confined almost exclusively to France. Surrealist writers were interested in the associations and implications of words rather than their literal meanings; their works are thus extraordinarily difficult to read. Among the leading surrealist writers were Louis Aragon, Paul Eluard, Robert Desnos, and Jean Cocteau, the last noted particularly for his surreal films. In art the movement became dominant in the 1920s and 30s and was internationally practiced with many and varied forms of expression. Salvador DalI and Yves Tanguy used dreamlike perception of space and dream-inspired symbols such as melting watches and huge metronomes. Max Ernst and RenE Magritte constructed fantastic imagery from startling combinations of incongruous elements of reality painted with photographic attention to detail. These artists have been labeled as verists because their paintings involve transformations of the real world. "Absolute" surrealism depends upon images derived from psychic automatism, the subconscious, or spontaneous thought. Works by Joan MirO and AndrE Masson are in this vein. The movement survived but was greatly diminished after World War II.

See A. Breton, Manifestoes of Surrealism (tr. 1969); L. Lippard, ed., Surrealists on Art (1970); R. Brandon, Surreal Lives (1999); studies by P. Waldberg (1966), W. S. Rubin (1969), S. Alexandrian (1970), H. S. Gershman (1969, repr. 1974), J. H. Matthews (1977), E. B. Henning (1979), A. Balakian (1987), H. Lewis (1988), and M. Nadeau (tr. 1967, repr. 1989).



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abstract expressionism
Guillaume Apollinaire
Louis Aragon
Willi Baumeister
AndrE Breton
Luis Bunuel
Canadian art and architecture
Marc Chagall
Jean Cocteau
Dada
Salvador DalI
Robert Desnos
drama, Western
Paul Eluard
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Pablo Picasso
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Raymond Queneau
Raymond Roussel
Philippe Soupault
verism
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Literature and the Arts > Art and Architecture
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